I have been reading Invincible Iron Man for several years now, I think since the Extremis armor storyline. The numbering of this particular title has, of course, changed but this is actually the 46th issue in this volume (2008). For the most part, this volume has been above average, but nothing has been really awesome amazing. In other words, this is a solid Marvel title with one of the classic characters.
I am not a big fan of writer Matt Fraction; in fact, I am not really a fan at all, but I am trying to be kind. Last year, Fraction’s event Fear Itself was a bloody mess and aggravated a lot of Marvel readers. Fraction’s been writing this volume since issue #1, however, and has done a decent job. Every issue that I read is good – but the writing is not the strong part, the art is. Salvador Larroca’s artwork is phenomenal and perfect. I love it. Every issue I look at I find myself saying things like: “Hey, that’s a really good frame” or “This art is really quite good.” So, ultimately, I am not sure where this title would be without Larroca.
The above holds true for issue #511. The storyline is good enough, albeit a little tired. I feel after 46 issues, we are still in the same exact arc as issue #1. Now, I know that Iron Man has his particular villains that he constantly battles and that contained storylines are something of a rarity in today’s comic industry. However, I feel like we are having some sort of groundhog day stuck-age where we are moving forward and moving forward, but just not going anywhere. The thing is, it’s interesting (fighting Ezekial Stane and the Mandarin), but we have been doing it for 40 issues. Looking at the whole volume, it’s easy to see developments and progression, but at the same time, I feel there is this lack of anything happening. It’s a very odd read – which is why I was complaining about Fraction.
However, as long as Larroca keeps drawing, I am going to keep reading. His artwork is fantastic and, honestly, not enough readers/critics are talking about it. It really ought to be praised more than it is. Maybe after all these issues, everyone has started to take it for granted. I haven’t though, because reading this issue I was still impressed with the art.
Here are two of my favorite frames from this issue. The first is of Pepper Potts. Potts is angry and frustrated. Maybe even a little hurt. And Larroca is able to display all of these emotions on her face in such a way that it doesn’t make Pepper look silly, constipated, or blah. You can look at this frame and almost empathize with Pepper. It may seem like a “simple” facial drawing, but it actually conveys Fraction’s storyline better than Fraction’s words.
Another frame that really, really caught my eye was of Sasha Hammer. She’s standing in front of the Detroit Steel tech and the media, with dozens of cameras, is eating the scene up. I was trying to imagine a shiny piece of armor as a backdrop for a saavy, catty chick like Sasha. I then imagined all the camera’s flashing and the media crowded around her while she basks in the attention. When I stopped imagining, I found that Larroca had been in my brain had had drawn precisely the image that I had imagined. Really. I mean, I love how her hair looks, I love the incline of her head, I love the sunglasses. Of course, Larroca’s art here is perfectly completed by colorist Frank D’Armata. The “blurry” colorful background with the flashbulb reflections in the sunglasses is awesome. Really. I mean, you feel like you are right there in the scene at Hammer Industries’ Hanger with the arrogant Sasha Hammer.