The Atrocity Archives by Charles Stross was published in 2004. It is the first in the Laundry Series of novels. I think I acquired my copy (Ace 2009) of the novel in 2016. This is the first Stross novel I’ve read although the stacks have a few of his other works.
Stross seems to have a following of die-hard fans much like Neil Gaiman has. I can see why; Stross’ work is rather original and it is clear that Stross is an intelligent person. I had high hopes for this novel, and I felt odd after reading it because so many readers have given this one such high marks – did I miss something? Thinking about this for awhile, it seems readers are reviewing the book they think that they read – or wanted to read, and maybe not actually the book that they really read. It happens more than one wants to realize….. My review is utterly honest, so if anyone disagrees with me, they can at least be satisfied I am not being disingenuous.
I read a lot of reviews saying this book is funny/comedic. Readers really seem to warm to the obnoxiousness of the bureaucratic silliness. Being bluntly honest: I don’t see it. There is some snark, which maybe is a little smirk-level amusing. There are some eye-rolling scenes wherein the “paper-clip-counters” are shuffling paperwork. But there’s nothing hysterical or laugh aloud here; a little sarcasm isn’t going to make me laugh my head off. Another novel that I read that has this issue is Midnight Riot / Rivers of London by Ben Aaronovich. (See my review.)
Stross is an ideas man – he’s very smart and he has some interesting concepts. As far as a writer? Well, honestly, this isn’t an example of great writing. The worst of it is dialogue; most of the characters seem written very stilted. They are archetypes, at best, not characters. In other words, they act/sound just like you think they should. Stilted writing. And wow, Dominique “Mo” is written awfully. Every dialogue or conversation is cringe-worthy. Its like…. if you took all the ill-conceived and incorrect stereotypes about autism and then made them even uglier. If the other characters are stilted, Mo is like a bad stereotyped autist developed by a computer that is beleaguered with viruses. Ugh.
The book rambles around and takes some time to find its feet. Seriously, the first third is perhaps introducing us to characters, but the storyline just sputters and spins. Now, once the story gets moving, it does turn into an action-thriller sort of business. Techno-fantasy-alternate history plot.
Stross has some great ideas that were fun to explore. I liked a lot of the concepts in the story. But they are not all written smoothly and seamlessly. A spy agency (the Laundry) that is full of techno-mages is super cool. But, for what its worth, I found the entire Nazi/Reich stuff to be off-putting. Its…. just too much… It made the novel feel a lot heavier and darker than it should have been. Its hard to laugh when Nazis are summoning demons.
At times I was wondering if the real flaw of the novel is that there is just too much stuff stuffed in it. Nazis, Old Ones, computer-jargon, physics, the Laundry, Middle Eastern terrorists, museums, summoning spirits, PDA-style tools, bureaucratic satire, references to a whole pile of what used to be consider geek/nerd material, etc. I do not doubt Stross knows about these things, but jammed on top of one another, all of it is cumbersome and tedious.
Overall, I liked many of the ideas, I liked the action scenes – I liked the Robert Howard homage, the Wolfenstein castle imagery, the pseudo-science mixed with real physics/math. I appreciated Stross mentioning Martin Heidegger (he doesn’t really feature in novels much, but I often feel like he would be awesome in science fiction stuff). But I did not find this very amusing and as a whole it seems like the author was trying too hard. It seems forced everywhere. Now, I have book two, so I think I will give Stross and The Laundry another shot.