The Wind From Nowhere by J. G. Ballard (1930 – 2009) was first published as a novel in 1962. However, it was published originally in two parts as “Storm-Wind” in 1961 in New Worlds Science Fiction issue #110 edited by John Carnell. This is the second novel by Ballard that I have read; I read High-Rise in 2016.
I read the 1966 Berkley Medallion edition with Richard Powers cover art.
This novel is both good and bad, but unfortunately, overall it cannot be rated highly. Ballard disliked, disowned, and denigrated this novel as nothing more than a quickly written piece to make some cash to support his new family. It is Ballard’s first novel and it is probably true (I haven’t read enough Ballard to assess properly) that he improved. I do not imagine most authors want their first published novel to be some choppy entertainment written speedily for whatever money they could sell it for.
Yet Ballard does deserve five stars for the awesomeness of a steadily increasing, totally destructive, all-planet windstorm. He even has this windstorm destroy whole cities and countries and does not shy away from the mega-destruction. When reading about the wind, reading the descriptions and about its effects, it is really terrifying and awesome.
Some of the best parts of this windstorm are that it is unexplained. In the beginning, some characters just assume its localized. Some think it is just a particularly awful storm. And then as infrastructure starts breaking down and the wind speeds increase, its too late to get answers to the why and how, instead the characters (humanity, generally) is busy trying to survive. The lack of knowledge makes the windstorm even more terrifying. We follow the events as the wind is around 55 mph and, toward the end of the novel, somewhere around 500 mph. Unbelievable, but yet so enthralling as a science fiction disaster novel.
However, as a novel, leaving so much unexplained also feels unsatisfying and unfinished. The worst part of the this whole novel is that it seems like Ballard did not know who the main character was or what their story was going to be. Throughout, he just flips around between characters who all seem to be thrown in the plot randomly. Instead of following a character’s path, it gets extremely discordant and random. Following the characters is easily the most miserable part of the novel.
Also, the characters randomly go and attempt to do some stupid, useless thing all together in their heavy armored vehicles. This usually does not work and everyone ends up scattered in other temporary bunkers. In other words: the storyline does not progress, everything is mangled again, and the characters are flip-flopped.
When the novel begins, Donald Maitland is leaving his wife. She is a rich playgirl type who has a new boy on her arm every week. She likes parties and the lifestyle. The husband has quit his job to head for a university in Montreal. Oddly, Maitland becomes the action-hero star of the novel (if there is one), though in the early going he hardly seems capable of what he is written into. He seems like a jilted husband who is wrapped up in his own drama. He is, at best, a bookish academic, it seems.
One of the oddest characters is the character Steve Lanyon. Commander Lanyon is a submarine commander in the US Navy. Perhaps the oddest segment of the novel is how he is sent to Italy to run the countryside on a bizarre mission to acquire the corpse of an American dignitary. Naturally, this fails and just turns into an action scene adventure. But how very odd to have a submarine commander anywhere but water.
And then there is RH. The initials of a millionaire character with the surname Hardoon. Hardoon is eccentric (he has henchmen and a pyramid) and bizarre and on the level of the very “best” Bond villains. He gets written into the plot sideways and has connections with characters, so that he seems somewhat like a secret hand moving in the shadows. When we get the displeasure of meeting him, he is ego-centric and ridiculous and any of the build up regarding what he is about dissipates into nothing. The worst part is that there is no real reason for this character and all his associations to have been written into this novel at all.
Anyway, the characters are awful. However, the actual disaster is exciting and terrifying. So, while this is not a good novel, it is also unique and awesome in its own manner. I cannot really recommend it to readers who love a good, completed story. But for fans of Ballard and/or disaster fiction, this one is worthwhile. Probably those who enjoyed Level 7 by Roshwald or October the First is Too Late by Hoyle would get something out of this one. I wish Ballard had not been so angry with it – it really deserved to be re-written and republished. For fans of disaster and over-the-top scenarios.