Recently, I finished Terminal Freeze by Lincoln Child. It was published in 2009 and I think has been on the to-be-read shelves forever. Among the slight changes in my reading habits this year (reading (reading crime, reading small publishers, reading things other than science fiction) is the effort to clear the shelves! Be advised, I say that is a goal every year. I read Deep Storm by Lincoln Child in 2017 and I did not give it high marks. Terminal Freeze seemed both better and worse than that previous read.
As I started reading this, I was sure it was going to be a quick, but annoying read. For the first quarter of the book I was so unenthused and unimpressed. Everything seemed so utterly obvious, heavy-handed, and predictable. Not to mention, there was not anything about the plot that seemed even a bit engaging. All of the characters were vexing, the setting was annoying, the plot seemed very predictable. Halfway through the novel, I admit I was more engaged in the story and I was turning pages without annoyance. So its not high-brow literature, but what happens next? Maybe I’m a bit of a sucker because I just like being entertained by a story?
Since this is pulp-adventure, I do not want to ruin the thing by handing over the plot to those who may wish to read it. Suffice to say, it takes place in an old (Cold War era) US Army ice station in Alaska. There are a team of scientists there who are funded, through a number of channels, by Hollywood. The scientists discover something, a random native shaman shows up, and then the base is overrun by the production company. The scientists are chafed because the production company takes charge and the “relationship” of the scientists and the movie-makers is clarified. All hell breaks loose when the discovery, which is the focal point for the documentary, goes missing. Action ensues.
I have a lot of interests, but TV and movies, film and cinematography are not them. I am even confronted on occasion by film theory and I still struggle to participate. I watch very little TV and film. And all the “classic” and “important” film? Yeah, I probably have not seen it – and you would not really want me to because it would be lost on me. I know everyone thinks I’m kidding when I say I lose track of where the TVs are in my home. I have known some film theory “fans/experts” and when they talk about these things they are very animated and it seems so intense for them. I appreciate that there are people out there with this interest.
I mention this to say that I have a natural (strong?) dislike toward film production. That it plays such a central component to this novel was a surprise for me and an immediate turn off. There is a particular character who takes his film theory, film production immensely seriously – more important than life itself. (By the way, this is how ALL film theory/producers and directors seem TO ME. They all seem obsessed and eccentric and intense; is this image one that they self-cultivate?) This character is really well written because he does fit a lot of the stereotypes and he provides another challenge point for the storyline. Yes, he can be horribly obsessed and unbelieveable. He’s not a villain, per se, but he plays a character archetype – the weirdly obsessed/driven. Readers immediately will dislike him and as the story progresses, even his most devoted and loyal “co-workers” begin to be disgusted and disillusioned with him. However he is one of the reasons I am giving this novel another star: thinking about the things he is saying about the filming, the film industry…. he is entirely correct, regardless of the morality of the situation. It is this intense “sacrifice everything for the product” mentality that is both abhorent and yet vitally truthful; unexpected in a pulp adventure novel.
I really enjoyed how no matter the setbacks or failures that occur, this character was pushing the boundaries and re-imagining his film creation. He even was willing, at the last, to do the grunt work himself. Morally misguided, perhaps, but utterly dedicated to his idea of what his work is.
He waved at two bookcases full of DVDs that framed the screen. “You see those? That is my reference library. The greatest films ever made: the most beautiful, the most groundbreaking, the most though provoking. The Battleship Potemkin, Intolerance, Rashomon, Double Indemnity, L’Avventura, The Seventh Seal – they are all here. I never travel anywhere without them. Yet they are not just my solace, Dr. Marshall – they are my oracle, my Delphic temple. Some turn to the Bible, for guidance; others, the I Ching, I have these. And they never fail me.” – Conti, pg. 153 (chapter 18)
I admit throughout the book I was expecting a certain nefariousness from a character. I did keep waiting for Gonzalez (one of the soldiers) to show “true colors” and be at the heart of the drama. This never happened. But it frequently happens that I will not get the storyline guessed out. Instead, Gonzalez ended up being quite wysiwyg. The character Logan, though, is utterly pointless. I don’t know what he does except to make it seem like he is a storyline guide, really. I have not read a lot of books where I felt like there was a character inserted in a plot that was a guide for the other characters to stay on plot. Its strange.
Frankly, the native shaman character was also a bit superfluous. I mean, he adds a bit of local interest and supernatural/unnatural flavor to the book. He is there to add a wee bit of Other to the novel, balancing out the science and military. But is he really necessary? Nope, honestly I kept waiting for him to “do something” other than just be native and mysterious. I guess he is the main character’s therapist or doppleganger or something.
Finally, the best parts of the action, I think, were the segments dealing with the ice road trucker. That was some edge-of-my-seat reading. If this is a thriller, it wasn’t because of the kaiju-monster-survival stuff, it was, for me, the nervous-wreck reaction to ice road driving. Maybe because I have had plenty of driving in blizzards and ice storms and I could access those feelings.
Not great literature and superficial and full of obvious plot points. The characters are very wysiwyg. The plot is survival within a difficult setting against a scary supernatural/unnatural monster. I am glad I finally read it and can recommend it as a good, lightweight adventure story to readers who need basic entertainment. Read it for the film aspects and less for the native Alaskan elements.