Jeremy Logan

The Third Gate

The Third Gate lincoln child book coverThe Third Gate by Lincoln Child is the third book in his Jeremy Logan series.  I have read the previous two novels.  The Third Gate was published in 2012 and is the first in the series that has Logan on every page of the book, so to speak. In the previous novels, Logan was not a major character; here he takes control of the narrative.

This book is a bit of a mess and is a definite step-down from the previous novel Terminal Freeze. The setup is somewhat the same – in all three novels there is a wealthy, eccentric individual who is at the heart of whatever adventure is going on.  This time Logan is pulled in right from the beginning – he is introduced as an enigmalogist. Logan meets the “eccentric” individual in the depths of the Cairo museum and agrees to join the adventure.  The mission, this time, is to locate Narmer’s tomb.  In the author’s note Child admits that he liberally manipulated and adjusted all facets of Egyptology and related sciences in service of his novel.  In other words, there is historical fiction and then there is adventure fiction and The Third Gate is most certainly in the latter category.

Once again, as with the first Logan novel, I want to accuse Child of lazy writing. There are a couple of things here and there that could have been done better and, yes, I do mean even in the context of a little adventure pulp novel.  For example, the coffee that someone is sipping in the dark deep basements of the Cairo museum – its probably cold. And where did it come from? Somehow I doubt there is a stove deep in the museum among the papyrus stacks – at least, when I was there, I did not see one. Another example is where Child unnecessarily refers to the technicians (i.e. the digital and technological crew) as “tech weenies.”  It feels jarringly crude in a setting wherein we are frequently told the adventure has gathered highly-vetted, highly-trained, highly-established experts in so many fields of study. “Tech weenies”…..?

Anyway, Logan shows up to the site with his duffel bag of items. A variety of items, kind of similar to a doctor’s bag crossed with a magician’s bag. When asked about it, Logan shares some of the items, but also plays it a bit vague.  At the same time, throughout, readers get the sense that the characters are suspicious or at least skeptical of Logan’s field of study and of his need to join the mission.  To counter that, several times readers are given Logan’s resume and stories of his expert field work and research, to include a sidebar regarding his dissertation. All of this being said, several times during the novel, Logan utilizes a device that tests air ionization. Every time except once is the air “normal.”  The one time it reads “not normal,” or increased ionization, he says he does not know what it means.  This just seems incongruous and stupid.

I disliked every character and for that reason I really was not rooting for any of them.  Makes me feel a little bad, I guess. I like adventure stories that keep me on the edge of my seat and I can cheer for a hero or something. The character that is supposed to “balance” the Logan character is one of the world’s top Egyptologists, Christina Romero.  I am not sure what to make of her – most of the time she comes across as impulsively rude, which I very much find toxic.  I guess we are supposed to think that because she is an elite expert, she is also given to temperamental behavior? I dislike that sort of stereotyping, too.

Finally, the plot itself is stupid and difficult and has this adjacent co-plot that I really hated. I really disliked the entire psychological, NDE, “crossing-over” story thread. I hated the characters and how it overtook the plot and I did not enjoy it.  Accepting Logan as an enigmalogist and as a scientist is possible. But this type of plot overextends my suspension of disbelief.

White NileThe good thing:  listen, I love setting and the setting of this novel is really good. I mean it. I was surprised to find such a strong, interesting, and intense setting in an adventure pulp.  Child liberally utilizes the concept of the Sudd (Cp. The White Nile by Alan Moorehead – 1960) and expands and develops it as needed. Seriously, this stuff captured my imagination and I wanted to spend more time in this setting having it weigh on us, confuse us, frighten us.  In other words, Child’s idea to use it is a great idea and he did a decent job.  I just want him to have done an even better job. I did pull my old, crusty copy off of my bookshelves and think I will skim through it, just because I can.

They crawled forward into an ever-thicker tangle of logs and bracken.  The noises from the riverbanks – if indeed there were still any banks to be found in this morass – had all but ceased.  It was as if they were now surrounded by an infinite riot of flora, dead and dying, all wedged into one colossal tangle.  They waited in the bow, barely speaking, as the boat followed the line of flashing beacons. Now and then the path seemed to Logan to lead to a dead end; but each time, after making a blind turn, the fetid tangle of vegetation widened once again. Frequently, the boat had to use its own superstructure to push aside the oozing warp and weft. – pg. 67, chapter 7

At the end of the day, Ancient Egypt adventure stories and swamps and scary things are always going to draw readers in, I think. However, this novel had too much lazy writing. Again, I am not expecting high-brow literature here, but I think a lot of tidying and a little thought would have really worked.  Instead, this novel is a mess, its a bit flat, and I did not really enjoy anything at all other than the setting.  That is not a basis for a great recommendation.

I am a bit concerned about the “development” of the Jeremy Logan character. I like him as an enigmalogist. I dislike the esoteric, pseudo-ghost hunter stuff. I am glad that he got to be a main character in a novel, for once, which is amusing to consider.  Strangely, even as a main character, I feel he was extraneous. Still, I am nervous that in the next novel in the series he might actually have a magic wand or something.

2 stars

Terminal Freeze

Terminal FreezeRecently, I finished Terminal Freeze by Lincoln Child. It was published in 2009 and I think has been on the to-be-read shelves forever. Among the slight changes in my reading habits this year (reading crime, reading small publishers, reading things other than science fiction) is the effort to clear the shelves! Be advised, I say that is a goal every year. I read Deep Storm by Lincoln Child in 2017 and I did not give it high marks. Terminal Freeze seemed both better and worse than that previous read.

As I started reading this, I was sure it was going to be a quick, but annoying read. For the first quarter of the book I was so unenthused and unimpressed. Everything seemed so utterly obvious, heavy-handed, and predictable. Not to mention, there was not anything about the plot that seemed even a bit engaging. All of the characters were vexing, the setting was annoying, the plot seemed very predictable. Halfway through the novel, I admit I was more engaged in the story and I was turning pages without annoyance. So its not high-brow literature, but what happens next? Maybe I’m a bit of a sucker because I just like being entertained by a story?

Since this is pulp-adventure, I do not want to ruin the thing by handing over the plot to those who may wish to read it. Suffice to say, it takes place in an old (Cold War era) US Army ice station in Alaska. There are a team of scientists there who are funded, through a number of channels, by Hollywood.  The scientists discover something, a random native shaman shows up, and then the base is overrun by the production company. The scientists are chafed because the production company takes charge and the “relationship” of the scientists and the movie-makers is clarified.  All hell breaks loose when the discovery, which is the focal point for the documentary, goes missing. Action ensues.

I have a lot of interests, but TV and movies, film and cinematography are not them. I am even confronted on occasion by film theory and I still struggle to participate.  I watch very little TV and film. And all the “classic” and “important” film? Yeah, I probably have not seen it – and you would not really want me to because it would be lost on me. I know everyone thinks I’m kidding when I say I lose track of where the TVs are in my home. I have known some film theory “fans/experts” and when they talk about these things they are very animated and it seems so intense for them. I appreciate that there are people out there with this interest.

I mention this to say that I have a natural (strong?) dislike toward film production. That it plays such a central component to this novel was a surprise for me and an immediate turn off.  There is a particular character who takes his film theory, film production immensely seriously – more important than life itself. (By the way, this is how ALL film theory/producers and directors seem TO ME. They all seem obsessed and eccentric and intense; is this image one that they self-cultivate?) This character is really well written because he does fit a lot of the stereotypes and he provides another challenge point for the storyline. Yes, he can be horribly obsessed and unbelieveable. He’s not a villain, per se, but he plays a character archetype – the weirdly obsessed/driven. Readers immediately will dislike him and as the story progresses, even his most devoted and loyal “co-workers” begin to be disgusted and disillusioned with him. However he is one of the reasons I am giving this novel another star:  thinking about the things he is saying about the filming, the film industry…. he is entirely correct, regardless of the morality of the situation. It is this intense “sacrifice everything for the product” mentality that is both abhorent and yet vitally truthful; unexpected in a pulp adventure novel.

I really enjoyed how no matter the setbacks or failures that occur, this character was pushing the boundaries and re-imagining his film creation. He even was willing, at the last, to do the grunt work himself. Morally misguided, perhaps, but utterly dedicated to his idea of what his work is.

He waved at two bookcases full of DVDs that framed the screen. “You see those? That is my reference library. The greatest films ever made: the most beautiful, the most groundbreaking, the most though provoking.  The Battleship Potemkin, Intolerance, Rashomon, Double Indemnity, L’Avventura, The Seventh Seal – they are all here. I never travel anywhere without them. Yet they are not just my solace, Dr. Marshall – they are my oracle, my Delphic temple. Some turn to the Bible, for guidance; others, the I Ching, I have these. And they never fail me.” – Conti, pg. 153 (chapter 18)

I admit throughout the book I was expecting a certain nefariousness from a character. I did keep waiting for Gonzalez (one of the soldiers) to show “true colors” and be at the heart of the drama. This never happened. But it frequently happens that I will not get the storyline guessed out. Instead, Gonzalez ended up being quite wysiwyg.  The character Logan, though, is utterly pointless. I don’t know what he does except to make it seem like he is a storyline guide, really. I have not read a lot of books where I felt like there was a character inserted in a plot that was a guide for the other characters to stay on plot. Its strange.

Frankly, the native shaman character was also a bit superfluous. I mean, he adds a bit of local interest and supernatural/unnatural flavor to the book. He is there to add a wee bit of Other to the novel, balancing out the science and military. But is he really necessary? Nope, honestly I kept waiting for him to “do something” other than just be native and mysterious. I guess he is the main character’s therapist or doppleganger or something.

Finally, the best parts of the action, I think, were the segments dealing with the ice road trucker. That was some edge-of-my-seat reading. If this is a thriller, it wasn’t because of the kaiju-monster-survival stuff, it was, for me, the nervous-wreck reaction to ice road driving. Maybe because I have had plenty of driving in blizzards and ice storms and I could access those feelings.

Not great literature and superficial and full of obvious plot points. The characters are very wysiwyg. The plot is survival within a difficult setting against a scary supernatural/unnatural monster. I am glad I finally read it and can recommend it as a good, lightweight adventure story to readers who need basic entertainment. Read it for the film aspects and less for the native Alaskan elements.

3 stars