London

Fated

Fated coverFated by Benedict Jacka is the first in the Alexander Verus series.  It was released in 2012. The entire series is finished, now, and is twelve novels. I happen to think that the USA book cover editions are very colorful and well-designed. Someone in my household read a bunch of these and left them shelved. I have been meaning to read them in a very non-prioritized way for awhile. Since this is a shelf-clearing year (do not listen to my nonsense – I say this every year), I decided to grab the first novel and take it along to the mountains this week.

Unlike my previous read, Fated is a fast-moving novel that falls into the category, officially, of urban fantasy, but really is just a little action thriller that has magical elements. It is usually compared, reasonably so, to the Harry Dresden series of novels by Jim Butcher. I read the first novel (Storm Front) in that series a long time ago – it was first released in 2000 and I do not remember much. I probably gave it either two or three stars. That being said, I have no idea if these are similar except in that they are kind of in the same category – mage/wizard in modern urban setting has to deal with magical situation resulting in action plot.

Reading Fated after Count Zero is a kind of funny experience.  Fated‘s pages just flew past; I mean, I think it even has thirty more pages in it, but I read it much faster.  That just goes to show that it is not a book with great depth and intensity.  There is nothing wrong with that, per se, but I think this is something akin to how a number of readers felt this was more of a “YA” (i.e. young adult) novel.  I disagree that it is YA, I do not really even like that sort of faux-genre.  It does, though, feel like Jacka was not taking any risks and staying somewhat superficial with the storyline.

Except for the uncomfortable master mage and apprentice-slave scenario that runs through the entire novel. Clearly, the main character has some form of PTSD after having been involved in such a scenario. Alex Verus mentions it in the sort of way people mention things when they do not want to seem like they want to talk about a thing, but they really, really do.  So, again, is Jacka making the background mysterious? Is he writing “safely?”  Or, is this just a way to engage the reader that does not work 100% of the time?  For myself, I can say that I do not mind characters with shadowy and dark pasts. I do not have to know all of their details. However, in this one, it feels like Jacka needed to commit a bit better to telling the reader or not. Instead, Verus’ history is a mess.  Also, by not really being totally open about whatever is in Verus’ past, it makes the relationship between himself and the master-Dark mage take on aspects that are perhaps uncomfortably taboo or untoward.

Rather than have the clear good versus evil scenario of mages, Jacka bolsters his explanation of Dark mages as something other than just evil-driven. Maybe. It works to a point, and then it stops working. So, what I mean is, Jacka tells us that Dark mages do not buy into strict concepts of good and evil. Instead they think about morality totally from their self-indulgent egoism.  They recognize others only if and when the Other is something to have control over and to operate as one operates a tool. Thinking about this a bit deeper, though, readers might wonder if that sort of egoism is not, actually, the definition of evil. So, back again to perspectives of good and evil. Hey, I’m a metaphysician… an ontologist, I get really disinterested and bored with ethics. But it feels like Jacka really took to those ethics classes in school.

Anyway, I like a lot of the magical constructs that Jacka made for us.  Beings like Starbreeze, Helikaon, and Arachne are fun and interesting. I mean, I did get tired of Starbreeze by the end of the novel and Arachne is not exactly an original creation, but they were good inclusions in this novel.  The villains were villainous – which is good. I hate novels wherein the villains are rather pathetic and cannot hang onto their rôle as villains. The character Rachel is another who needed to have some good time with a psychologist – again because of whatever the heck happened in Verus’ past.

Overall, though, this novel is a decent read. Its not above average because it feels like a lot of the elements needed to be solidified and tidied up.  The Council, for example:  we are left with all sorts of impressions of it. After finishing the book, I cannot tell if they are a weak administrative sort of group or a snarling back-biting political thing, or a true over-seeing authority. Further, there seems to be so much magic – there is a lot and when Jacka needed a plot point, it seems like he just introduced another form of it. This needed to be shored up to a more manageable kosmology.

Finally, though it was a speedier read than Count Zero, there seemed to be some pacing issues. The time spent at “the ball” was overdone and tedious after awhile. Some of the “we are being chased” moments were a bit repetitive and therefore annoying. In spite of all of these smaller challenges, though, the world of Alex Verus is just interesting enough that I would read the next book in the series. I can also grant that maybe since this was the first novel, it was a little off-kilter and the next one rights the ship.

2 stars

Midnight Riot

Midnight Riot - Ben Aaronovich; 2011, Del Rey

Midnight Riot – Ben Aaronovich; 2011, Del Rey

I finished reading Midnight Riot yesterday and am dismayed by how long it took to get through this thing.  Well, it has been on my to-be-read Himalaya for years. Finally, I said to myself that was quite long enough and forced myself to make it the next selection.  I was really expecting to like it because so many other readers whose opinions I trust had very good things to say about this.  Sadly, I was disappointed.

Midnight Riot is the USA title of Rivers of London.  It is the first book in the series that is also named Rivers of London.  I guess the publisher felt that having “London” in the title would be a detriment to USA sales.  I really am not thrilled when publishers do that. I have enough to remember and think about without adding alternate titles. Anyway, this was first published in 2011 and is the first of five (as of this date) novels in the series. I do own the other five. (A fellow reader gave me the whole set.)

I am a second-generation American and I have never been to England.  I have been to Italy and Greece. I thoroughly study the Continental intelligentsia.  If I were to be transplanted from the USA to somewhere in Europe, I would likely acclimate the best in Poland.  Almost everything about Great Britain is a mystery to me. Everything the British do seems complexified without necessity.

I am sharing this to say that this lack of familiarity and understanding of things of the Empire did affect my enjoyment of this novel.  In order to really be engaged here, the reader should have a rudimentary knowledge of British schooling, law enforcement, and the general layout of London.  Charing Cross and the River Thames are two locations/geographies that readers really need to have a concept for and about.  I did not. I still don’t, if I’m being totally honest.  I think if I knew anything at all about the Thames, I probably could have done a little better with the novel.

Finally, the slang and nicknames – if you don’t know the official, standard things about England, certainly the slang and such will have no relevance to you.  And that is what I experienced.  Granted, most of the meaning can be gotten via context, but honestly, having to use context to read an urban-fantasy/action thriller kind of kills the writing.

The writing is a bit different than the slew of urban-fantasy novels we have been bombarded with in the last five years.  Aaronovitch does attempt to make his main character intelligent, resourceful, and studious.  The magic system in the book is, for better or worse, “scientific.”  And there is a dose of history, physics, and religion to add to the depth.  However, the main character (Peter Grant) was not as funny as he thinks himself to be.  Many of the reviews I read suggested that Peter is just so funny and that this book is witty and humorous.  Well, it is mighty clear which parts such reviews are referencing, but I did not find them all too funny.  I found most of them trying-too-hard-to-be funny. The sarcasm and the wit was forced, as if the author said: “I have to have a snarky line here.”

The storyline is okay. Nothing great. Frankly, it should have been better.  There are many points where it gets lost or muddled.  In fact, at the end the villain got to be too convoluted for me to really, truly follow. Who is this ghost now? What are they doing this for, again?  I guess ghosts are a bit strange and perplexing, but I should be able to identify the main villain.  At the end, I feel like we defeated the bad guy two or three times.  And thinking about it, Peter did not really do much except run around.  In the end, he did not really FIX anything.  Novel writing 101:  The Resolution….. was absent.

A final complaint I have is that there are parts that are a bit more dark and/or vulgar than I think was necessary. I am definitely not looking for sanitized and pretty stories.  I am, however, trying to avoid vulgarity that is purposeless and darkness that is incongruous with the rest of the book.  All of this being said, I will probably try again with book two in this series.  Nevertheless, I was disappointed with book one and I really wanted much better.

2 stars